"DANIEL in the LIONS' DEN"   16 x 20   Acrylic

 

 

The sixth chapter of the book of Daniel in the Bible records the drama of Daniel being thrown into the lions' den as punishment for something his enemies schemed to betray him. Put yourself in Daniel's shoes and consider what thoughts might be going through your mind as you face these beasts. Daniel trusted God to protect him and that is what happened. It was a testimony not only to his generation but to all the generations since then. This was a fun painting to portray (since it had drama and animal's faces with different expressions). There's a contrast of textures, colors, and shapes. 

"ZEBRA STRIPES"   8 x 10   Acrylic

Patterns of the zebra are as varied and unique as our fingerprints. It's no wonder their camouflage tends to confuse the predators. I am continuing the theme begun some months ago in making a selection of various zebras with the distinctive markings display. Several coats of paint are applied in each negative space by switching from white to black to white to black, etc.

"COW PAUSE"   12 x 16   Acrylic

 

Folks have been requesting additional cow paintings, so I selected this Hereford to add to the collection. The white face allows easier display of expression. The view is from ground-level as she stands on the hillside. I have fond memories of the Hereford calves I used to bottle-feed.

 

"EQUINE PROFILE"   8 x 10   Acrylic

 

This was a fun painting, making a profile close up of a young filly. Horses have expressive eyes, which adds to how they communicate with us via their ears or arch of the neck or flare of the nostrils. I chose a more intimate approach by zeroing in on the eyes. I hope you enjoy it.

 

"WHISPERING SWEET NOTHINGS"   12 x 16   Acrylic

Cows are interesting creatures. They show preferences and emotions. This was a fun painting to do since they can also display facial expressions that we humans might identify with. I might tinker with the middle ground to lighten the values a bit, and there's a fellow up the road who has requested more "cow paintings" to add to his collection.

"AUTUMN COLORS"   16 X 20   Acrylic

Fall colors can be seen in nature everywhere, even in California. I submit this photo at this time because I am encouraged to see the followers to my website. It is time to paint again for me after a summer of other activities. For upcoming paintings, I hope to incorporate some new techniques and present a variety of themes. Thank you for staying with me.

"HORSEHEAD'   Pen and Ink

I am taking a break from painting this summer and want to leave an earlier rendering of a horsehead I did many years ago. Sketching was my preferred method of art-work until more recently I experimented with color. So although my website is intended to explore Color more fully, the black and white sketch will hold the place until I can enter another painting in the Fall. Thank you for your visits to my site.

"INLET FOG"    12 x 16   Acrylic

Here is another 'rediscovered' old painting from earlier years. It speaks of northern climes and cooler weather, and is welcome during the hot days of summertime. The painting portrays a familiar area in Scandinavia and, for me, was an exercise in getting acquainted with the fluidity of acrylics.

"BIRCH MEDLEY"   Acrylic   12 x 24

 

 

There is a demand for birch tree paintings in my area, so I am repeating a new version of a familiar duo I've painted before. The contrast in colors and the white bark of the trees make for a colorful scene. Despite having painted a pair of birch trees in the past, no two paintings are alike and each has its own individuality.

"POSTER OF SWITZERLAND"  12 x 16    Acrylic

 

 

The Luzern painting was rediscovered as I was inventorying my works from earlier years. It's a copy from a poster I saw long ago, and I wanted to attempt the poster-effect. Exploring the medium of acrylic, I learned a few things in doing this painting, but for now, the simplistic approach is a contrast to my more recent realistic pieces.

"POPPY FIELD" REVISITED   Acrylic    11 x 14

A few added touches of color spruced up a painting I did this past season. The setting appeals to me and there are many variations in how the scene could have been expressed. But it is mid-summer and I like the divisions of meadow as it meets the tree-line. Maybe in the future I'll add a few cows or sheep, but for now it will suffice.

"CALMING THE JITTERS"   Acrylic    16 x 20

Attitude is important in people and animals. This trainer is working with a young horse who spooks easily and is uncertain about the new activity in an arena. I wanted to commemorate the special bond we have with animals and how our influence can either calm or excite our friends of another species. There were many challenges in this composition and I worked it over a period of several days.

"BIRDS OF A FEATHER"   8 x 10   Acrylic

I completed this painting a few years ago but only rediscovered it as I was taking inventory for summer stock. This was a learning phase of getting acquainted with acrylics and it was fun to portray the various poses and motions of new chicks.

"SEA COVE"   11 x 14   Acrylic

Colorful flowers along the coastline are vibrant and aromatic. This scene might typify a number of places in the Mediterranean or Aegean Seas, but happens to originate on the California coast of the Pacific Ocean. The contrast of orange against a variety of blues is a feast for the eyes. Can you hear the roar of the ocean and the cry of seagulls?

"TAGGED AND NUMBERED"   12 x 16   Acrylic

 

 

A young calf wonders about his new world and the recent "body piercing" he just received. But ranch life demands an identity for each newcomer, and getting punched in the ear is part of the process. As I gain confidence in painting, I hope to attempt using a larger canvas for some of my favorite subjects.

"SPELL OF THE AURORA"   11 x 14   Watercolor

 

 

A change of mediums from acrylic to watercolor, this painting was learned in a class setting. Watercolor demands a different technique, but is fun to explore. Wetting the paper, then covering with a base color, then using a hairdryer to speed the drying process, is all 'new' to my experience. Then wetting the paper again to lay the next coat of paint to brush on the background trees, and drying that section before putting on more trees with deeper tones, is a new experience. Adding a few stars in the upper left corner with acrylic paint was the final touch.

"BARNYARD SOLITUDE"   11 x 14   Acrylic

 

 

After a series of vertical paintings, I'm adding a horizontal scene of an old barnyard that might have a few stray chickens or cats still residing within. Most definitely there are mice and swallows and possibly an owl. The horses and cows have gone off to that pasture in the sky. This site has many memories attached to it and soon the weeds will overtake the area.

"ZEBRA NUMBER THREE"   8 x 10   Acrylic

 

 

This zebra is Number Three in the series. I find it interesting to form shapes by the camouflage pattern of the stripes, and each animal is different. Just as in our fingertips, we are one-of-a-kind. It was fun to fill the canvas with the contrast of black and white, but I'm not ready to attempt painting any penguins—ha!

"ZEBRA NUMBER TWO"   8 x 10   Acrylic

 

 

This zebra colt is second in the series of experimenting with black-and-white plus one color. The horizontal stripes of the mare behind him shows he is in a herd. I like the different slants and positions of the stripes as it reveals the conformation of the animals. No wonder this is a good camouflage to a predator who tries to single out one animal amidst the herd as they gallop by.

"ZEBRA MACRO"   8 x 10    Acrylic

 

A friend suggested I try painting an illustration with black-and-white plus one color. Here is the result. The zebra is an interesting animal with variations on its stripes. It was fun to paint and I am working on attempting several illustrations of various angles to capture stripe on stripe..

 

"ROPING THE STRAYS"   11 x 14   Acrylic

 

This horse and rider were active in an arena during competition, but I put them in a setting on the dusty plains as a working combo. Quarter horses are quick to respond and alert to the moment, sometimes seeming to anticipate the next move of a wily steer or calf. The cowboy ain't doing too bad either as he zeroes in on tossing the rope at the precise moment.

 

"FLORAL DECOR"   11 x 14   Acrylic

An unusual combination of having a window frame decoration in the garden, this decor was softened by the abundant flowers that bloomed to soften the effect. I like the contrast of colors and textures, and chose not to add the occasional squirrel or robin that sometimes attended this area.

 

"FRAGRANT FLORAL PATHWAY"   12 x 24    Acrylic

I am often drawn to pathways in art, not only because of the perspective and dimensions, but because of a path leading from here to there and actually "going someplace." The surroundings in nature provide endless opportunities to capture the essence of a place or setting. The painting above celebrates a mixture of cultivated garden and the wildness of lush growth.

"BLACK ROCK"   14 x 18    Acrylic

 

Waterfalls are appealing in their freshness and vitality. Depending upon the flow of water, the falls can change shape and volume and intensity. I tried softening the lines of shapes surrounding the focal point, but I wonder if I'll return at a later time to touch up a few more details or just leave the suggestive shapes to the imagination of the viewer.

 

"CHICKY"   8 x 10   Acrylic

 

 

Baby chicks are adorable and fun to watch. Peeping as they explore, pecking as they spot a morsel, their focus is on food. Raising chicks is an adventure and I wanted to commemorate a memory of long ago.

"WHITE KITTY"   11 x 14   Acrylic

 

 

A friend had a special cat during her childhood and she consigned me to paint her "Princess." She tells the story of one winter chill touching the ear of the cat with frostbite, thus removing the tip. Her plush fur made her seem regal.

"STROLL in the RAIN"   8 x 10   Acrylic

 

A friend showed me a new technique in painting that I hadn't tried before. Although it seemed strange to be dabbing blobs of color on the canvas instead of strokes with the brush, each layer brought about more depth and flavor to the illustration. This painting was completed in under two hours. I like having soft edges and the contrast of colors. Not much detail to this one, but it makes a statement.

 

"MARE GAZE"   8 x 10   Acrylic

Memories of our Quarter horses prompted me to paint another portrait of one of the members of our herd. This is Marquita who had a gentle spirit and loved to frisk with her peers. The pose is similar to an earlier painting of our filly, but I recently gave that painting away, and miss not having a portrait of our equine friends. I should probably add the muzzle on these portraits but I want to focus on the eyes.

"AVENUE of TREES"   12 x 12   Acrylic

 

I was trying a new approach to this painting—abstract, minimalism, simple shapes and forms, etc. Using broad strokes, it reminded me of kindergarten days of finger-painting. I limited the textures and just concentrated on forms. It's not my favorite style, but it was fun to experiment.

 

"INVITATION TO RELAX"   8 x 10   Acrylic

 

Another lakeside scene, it was appealing to paint in vivid colors even as the outdoors is white with snow. This scene reminds us that "somewhere out there" are bare sands and rocks, fragrant forests, and warm breezes. There was a temptation to put a moose on the edge of the scene, but you'll just have to believe that he's not far into the woods and keeping an eye on us.

 

"BIRCHES in FOREST DIPTYCH"

Here is the expanded scene of the Birch forest (seen separately over the past week). The gap between the paintings is not great, but they ARE two separate paintings. I'm considering adding a third painting to elongate the scene, but first need a 'break' from these tall and skinny paintings!

 

"BIRCHES in FOREST #2"   12 x 24   Acrylic

 These birches are the second of the series, having the same background of lake and colorful Fall trees. I chose to stylize the blocks of color representing the forest "out yonder" and to simplify the texture of leaves and bark. It's a fun theme to do.

"BIRCHES in FOREST #1"   12" x 24"   Acrylic

 

 The birches outside my window invite me to paint them. This painting is taken from a distant location and is the first of several, intended as a diptych, or possibly triptych. I've been working on both paintings simultaneously, but discovered I wasn't advancing very quickly, so focused on this first one.

"LAKE in MUSKOKA"   16" x 20"   Acrylic

Commissioned by a friend who likes reflections, rocks, and the Fall colors of trees in the forest, this painting captures the stormy effects of clouds passing overhead. There's a feeling of warmth in the golden lights cast from the cottage upon the waters and we can almost smell the coffee brewing and hear the loons crying.

"GUITARIST SPLASH"   11 x 14   Acrylic

 

 

A fun painting to do with all the color, but a different style than I'm used to with suggestions of sound by the shapes and blocks of color expressed. I'm working on a series of musician paintings, reflecting various genre and instruments. Each painting has a lesson to teach me. I hope you enjoy.